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Roland RD-2000

2 245,00

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Deep editing features unlock one-off custom sounds

As keys man and musical director for R&B legends Earth, Wind & Fire, Myron McKinley has a finely tuned ear for piano performance. In this video, Myron plays a jazz piece to demonstrate the stunning quality of the Roland RD-2000’s acoustic sounds, which have been customized to suit his taste.

Flexible sound-sculpting features adapt to any musical scenario

From the McKinley Martin Sydnor trio to the mighty Earth, Wind & Fire, Myron McKinley’s career has run the gamut of musical scenarios. But as the keys man reveals in this video interview, the Roland RD-2000 has the flexibility to adapt to every gig, offering authentic models of vintage acoustic/electric pianos, deep editing options that let him program custom sounds – and quickfire operation that means he can pull them up fast onstage.

Speedy real-time operation allows ambitious blends of acoustic piano and pad sound

For acclaimed London-based songwriter Berenice Scott, the Roland RD-2000’s capability for acoustic piano sounds and onboard ensemble sounds is a great way to bring depth and expression to her material. In this performance video, Berenice demonstrates how this latest stage keyboard excels at pure acoustic tones, then shows how easy it is to add depth to the sound at the touch of a slider.

Intuitive operation and flexible features keep inspiration flowing onstage

With 100 Scene memories allowing one-touch setup recall, plus nine sliders for real-time control, the Roland RD-2000 is the ideal gigging partner for acclaimed songwriter and session musician Berenice Scott. In this video interview, Berenice reveals how the lightning-fast operation of Roland’s latest stage piano keeps her at the heart of the live mix, and walks through the PHA-50 keyboard and dual sound engines that keep her inspired in the studio.

Classic electric piano sounds driven by Roland’s groundbreaking SA technology

Top sessioner Kola Bello needs acoustic and electric piano tones for his gig with Ellie Goulding – and thanks to twin sound engines, the Roland RD-2000 gives him the best of both worlds. In this playing example, Kola trials his favourite setting from the RD-2000’s library of iconic electric piano models, and demonstrates how this new stage piano’s milestone SA technology offers a dynamic and responsive tone to suit any performance.

Close control over parameters lets players sculpt the perfect sound

By his own admission, Kola Bello is picky about sound design in the studio. As the keys man for Ellie Goulding, Kola needs fast access to a wide palette of sounds, so for him, the editing capabilities of the Roland RD-2000 are paramount. In this video interview, he discusses why this highly customizable stage piano runs with the baton of Roland’s previous offerings, and has become an invaluable part of his stage setup.

Acoustic piano sound engine gets closer than ever to acoustic performance

Powered by amazingly lifelike V-Piano technology, the Roland RD-2000 truly captures the essence of an acoustic piano. As a session veteran and self-confessed “piano snob”, Peter Gordeno is well-qualified to put the new model through its paces, and in this video example, he demonstrates just how close the RD-2000 gets to a traditional instrument, both in its vibrant sounds and the response of the PHA-50 progressive hammer-action keyboard.

The controller keyboard that puts players in charge of their rig

In his long-standing role as keys man for Depeche Mode, Peter Gordeno needs a failsafe way to communicate with his synths and plug-ins while playing the world’s biggest stages. In this video interview, the legendary session man explains why he’s come to rely on the Roland RD-2000 as a controller keyboard, and why this latest stage piano fires him up with its natural sound, open-ended features and advanced polyphony.

Tech Specs

PHA-50 Keyboard: Wood and Plastic Hybrid Structure, with Escapement and Ebony/Ivory Feel (88 keys)
Sound Generator
2x Independent Sound Engines
Sound Engine1: V-Piano Technology
Sound Engine2: SuperNATURAL
SuperNATURAL Piano
SuperNATURAL (E.Piano, Clav)
Virtual Tone Wheel Organ
PCM Sound Generator
Max. Polyphony
V-Piano Technology Sound Engine: Full Polyphony
SuperNATURAL Sound Engine: 128 voices
16 parts (Max 8 parts are used in the PROGRAM)
1,100 tones Over
Modulation FX: 4 systems, 62 types
Tremolo/Amp Simulator: 4 systems, 6 types
Reverb: 6 types
Delay: 5 types
Sympathetic Resonance (Only for SuperNATURAL Piano)
3-band Compressor
5-band Digital Equalizer
File Format
Audio Files (WAV format, 44.1 kHz, 16-bit linear)
File Format
Audio Files (WAV format, 44.1 kHz, 16-bit linear)
External Storage Device
USB flash drive (supports USB 2.0 Hi-Speed flash memory)
Rhythm Pattern
200 patterns
Slider x 9 (with illumination)
Knobs x 8 (with illumination)
Pitch Bend/Modulation lever
Modulation Wheel x 2
Graphic LCD 256 x 80 dots
MAIN OUT (L/MONO, R) jacks: 1/4-inch phone type
MAIN OUT (L, R) jacks: XLR type
SUB OUT (L, R) jacks:1/4-inch phone type
NPUT jack: Stereo miniature phone type
Pedal (DAMPER, FC1, FC2, EXT) jacks: TRS phone type
MIDI (IN, OUT1, THRU/OUT2) connectors
USB (COMPUTER) port: USB type B
USB (MEMORY) port: USB type A
PHONES jack: Stereo 1/4 inch phone type
AC In jack
Number of USB Audio Record/Playback Channels
Signal Processing: 24-bit
Sampling Rate: 192 kHz, 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz
Record: 2 channels
Playback: 2 channels
Power Consumption
23 W
Owner’s manual
Power cord
Damper pedal (capable of continuous detection)
Keyboard stand: KS-G8B
Piano pedal: RPU-3
Damper pedal: DP-10
Pedal switch: DP-2
Expression pedal: EV-5
USB Flash Memory
1,412 mm
55-5/8 inches
367 mm
14-1/2 inches
140 mm
5-9/16 inches
21.7 kg
47 lbs 14 oz
* Actual weight can vary slightly from that indicated due to the fact that wooden parts are involved.